Sigma Art 14-24mm f/2.8 DG HSM 14-24mm
{ "review": "Son ouverture constante f/2.8 sur la plage 14-24mm et le moteur pas-à-pas silencieux offrent une polyvalence remarquable en basse lumière et en vidéo, grâce à 17 lentilles dont 6 ED et 3 asphériques. La construction tropicalisée avec joints d’étanchéité et le traitement Nano Porous Coating supprime efficacement les reflets et protège des intempéries. Ce zoom est parfait pour les photographes de paysages, d’architecture et de mariage qui exigent une netteté extrême et une fiabilité professionnelle." }
Snapshot
En 30 secondes
L'optique est parmi les meilleures du marché, l'ouverture f/2.8 est idéale en basse lumière. Le poids (1150g) et l'absence de stabilisation sont les seuls vrais freins. Pour moins de 1200$, c'est un rapport qualité-prix presque imbattable.
Avantages et inconvénients
Pros
- Netteté exceptionnelle à toutes les focales 97th
- Ouverture f/2.8 constante et lumineuse 95th
- Autofocus rapide et silencieux 73th
- Joint d'étanchéité inclus 69th
Cons
- Poids très élevé (1150g)
- Pas de stabilisation optique
- Impossible de visser des filtres sans adaptateur cher
- Bokeh sans relief
What owners think
Ce qu'en disent les utilisateurs
L'évolution de l'avis des propriétaires dans le temps
ExclusivitéD'après la date à laquelle les clients ont rédigé leurs avis — pour voir si l'enthousiasme initial s'est confirmé.
- Q2 202695/100
Buyers in this period praise the lens for its exceptional sharpness, ultra-wide performance, and low-light capabilities, with only minor concerns about weight and filter limitations.
- Lens is exceptionally sharp, outperforming or matching native Sony/Nikon options.
- Ultra-wide angle works great for real estate, travel, and indoor photography.
- Great low-light performance (F2.8) and fast, silent autofocus.
- Heavier than some expect, especially with full-frame cameras; filter attachment is awkward.
- Q3 202380/100
Buyers praise exceptional sharpness, even wide open, and low-light performance, but note large lens cap issues and limited 35mm reach.
- Sharpness even wide open, surpassing older versions
- Great for events and low-light shooting
- Lens cap is large, slips off easily when camera is on a strap
- Lacks 35mm reach; cropping needed for versatility
- Q2 202380/100
Highly praised for sharpness and wide field of view, especially for landscapes and real estate. Heavier weight noted as a trade-off.
- Sharpness exceeds Sony 16-35 GM at overlapping focal lengths.
- Heavy build; cannot take front filters, but rear filter system praised.
- Excellent for real estate, landscape, and night sky photography.
- One verified review calls it heavy despite positive tone.
- Q3 2022100/100
Buyers praised the lens for sharpness, fast focus, and excellent wide-angle concert photography results.
- Exceptional sharpness and fast autofocus praised by users.
- Excellent for wide-angle concert photography in small venues.
- Filter limitations: no front polarizer; ND filters fit rear.
- Easy transition to new camera systems; eliminates adapter need.
- Q2 2022100/100
All three reviews are positive, praising sharpness, build quality, smooth zoom, and value. One review also endorses a tripod.
- Excellent value and sharpness, especially at narrower apertures.
- High-quality build with smooth focusing and zoom operation.
- Included ND filter set is appreciated for long exposures.
- Performs well for landscapes, interiors, and astrophotography.
- Q1 2022100/100
Buyers in Q1 2022 praised the lens for sharpness, versatility in landscape and real estate, and build quality. Weight and front filter limitation were noted as acceptable trade-offs.
- Exceptional sharpness and image quality praised across multiple uses.
- Versatile for architectural, real estate, landscape, astro, and even portraits.
- Weight is noticeable but viewed as acceptable for the quality.
- No fish-eye effect; front filter limitation noted but not a dealbreaker.
- Q4 202193/100
Buyers praised the lens for its sharpness, wide-angle capability, and build quality, though some noted weight and filter compatibility issues.
- Excellent sharpness and wide-angle performance for landscape, real estate, and street photography.
- Sturdy build quality and balanced feel, with fast autofocus comparable to native lenses.
- Weight is noted but often accepted for the quality; some mention front filter incompatibility.
- Rear ND filter mounting screws can be damaged by included wrench, causing removal issues.
- Q3 202198/100
Buyers praise this Sigma 14-24mm f/2.8 Art lens for exceptional sharpness, solid build, and value compared to native Sony/Nikon options. Weight is noted but accepted as sign of quality.
- Superb image quality, sharpness, and color rendition across the frame.
- Solid, robust build feels like a professional workhorse, not a kit lens.
- Heavier than expected but considered acceptable for the build and durability.
- Some barrel distortion and vignetting at wide end, correctable in post.
- Q2 202195/100
Buyers praised the Sigma 14-24mm f/2.8 for outstanding sharpness, solid build, and value compared to pricier Sony GM and Nikon lenses. It's favored for landscape, real estate, and astrophotography.
- Sharpness exceeds or matches premium Nikon/Sony GM lenses, often called 'tack sharp'.
- Excellent value for money, delivering professional quality at a lower price.
- Versatile for landscape, real estate, vlogging, and astrophotography with f/2.8 and 14mm.
- Built-in rear ND filter slot is a highly appreciated convenience feature.
- Q1 2021100/100
Buyers praise this Sigma 14-24mm lens for excellent sharpness, fast AF, and value versus Sony G Master, though note barrel distortion at wide end is correctable.
- Exceptional sharpness outperforming or matching native Sony lenses.
- Fast, silent autofocus comparable to Sony glass.
- Great value for money, cheaper than Sony G Master alternative.
- Barrel distortion on wide end requires correction when angled.
- Q4 202090/100
Buyers praise the Sigma lens for sharpness, fast autofocus, and value. A filter kit compatibility issue is noted.
- Sharp image quality and fast autofocus, often compared favorably to brand-name alternatives.
- Excellent value for the price, particularly for real estate and landscape photography.
- Versatile, flexible, and well-balanced despite being heavy.
- Included filter kit doesn't fit this lens; correct filters not available from that brand.
- Q3 202095/100
Buyers praised the lens for its sharpness, wide aperture, and value for money. It is well-suited for landscape, astrophotography, and real estate work.
- Exceptional sharpness, clarity, and color rendition for a wide zoom lens.
- Great value, often compared favorably to more expensive alternatives.
- Excellent low-light capability and useful for astrophotography.
- Lens is heavy and requires invest in filters; minor distortion at 14mm.
- Q2 2020100/100
Buyers praise this lens for sharpness, wide-angle performance, and low-light capability, especially for real estate and landscape photography.
- Exceptional sharpness across zoom range and center to edge.
- Excellent for real estate and landscape photo/video with non-distorted wide angle.
- Fast autofocus and smooth operation with Nikon and Sony cameras.
- Heavier than some; bulbous front element requires careful cleaning.
- Q1 202095/100
Buyers praised the lens for astrophotography, landscapes, sharpness, build quality, and value. One purchased from Adorama based on service, not usage.
- Excellent for astrophotography and landscapes, often replacing manual wide-angle lenses.
- Rock-solid build, exceptional edge-to-edge sharpness, especially at 14mm.
- Compact, lighter than Canon EF version, faster E-mount, good value for the price.
- Great deal, pairs well with Sigma 24-70 DG DN, useful tripod included.
- Q4 2019100/100
Buyers praised the lens as sharp, great value, and excellent for Sony E-mount; one noted it is heavy, cannot take filters, and can fog up in extreme conditions.
- Exceptional sharpness and image quality, outperforming alternatives like Sony 16-35mm.
- Heavy, no filter thread, and occasional fogging in humid cold.
- Good value for money compared to pricier GM lenses.
- Delivery and initial use fine, but more evaluation time needed.
D'après 102 avis clients datés, regroupés par trimestre civil. L'analyse par période est en anglais.
The proof
Performances
Sur le plan optique, c'est une claque : 97e centile dans notre base, l'un des meilleurs du moment. Le piqué est chirurgical du centre aux bords, même à f/2.8. L'autofocus HSM reste réactif et discret, un bon point. Par contre, le bokeh est franchement quelconque, ce qui n'est pas un drame pour un ultra-wide. L'absence de stabilisation le place à la traîne, et la construction, bien que tropicalisée, affiche un score décevant (9e centile). En pratique, les utilisateurs ne s'en plaignent pas vraiment.
Caractéristiques techniques
Fiche technique complète
Optics
| Type | zoom |
| Focal Length Min | 14 |
| Focal Length Max | 24 |
| Elements | 17 |
| Groups | 11 |
| Aspherical Elements | 3 |
| ED Elements | 6 |
| Coating | Super Multi-Layer Coating |
Aperture
| Max Aperture | 22 |
| Min Aperture | 2.8 |
| Constant | Yes |
| Diaphragm Blades | 9 |
Build
| Mount | Nikon F |
| Format | full-frame |
| Weather Sealed | Yes |
| Weight | 1.1 kg / 2.5 lbs |
AF & Stabilization
| AF Type | HSM |
| Stabilization | No |
Focus
| Min Focus Distance | 260 |
| Max Magnification | 1:5.26 |
Face à la concurrence
Face au Nikon Z 14-24mm f/2.8 S, le Sigma tient la dragée haute en piqué mais pèse plus lourd et ne stabilise pas. Le Canon RF 14-35mm f/4L offre une stab efficace mais sacrifie l'ouverture lumineuse, le Sigma reste devant pour l'astro. Les Meike et Viltrox sont des options économiques, mais loin derrière optiquement. Pour une monture SA, c'est un choix quasi obligatoire.
| Spec | Sigma Art 14-24mm f/2.8 DG HSM 14-24mm | Tamron Di III 18-300mm f/3.5-6.3 Di III-A VC VXD | Nikon NIKKOR Z 28-400mm f/4-8 VR | Panasonic LUMIX G Leica DG Vario-Elmarit H-ES50200 | Canon EF-S 18-135mm f/3.5-5.6 IS USM | Sony E SELP1650 |
|---|---|---|---|---|---|---|
| Focal Length | 14-24mm | 18-300mm | 28-400mm | 50-200mm | 18-135mm | 16-50mm |
| Max Aperture | 22 | f/3.5 | f/4 | f/2.8 | f/3.5 | f/3.5 |
| Mount | Nikon F | Fuji X | Nikon Z | Micro Four Thirds | Canon EF-S | Sony E |
| Stabilization | false | true | true | true | true | true |
| Weather Sealed | true | false | true | true | false | false |
| Weight (g) | 1150 | 92 | 726 | 655 | 515 | 116 |
| AF Type | HSM | VXD linear motor | STM | linear motor | STM | Stepping motor |
| Lens Type | zoom | zoom | zoom | telephoto | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Product | Af | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | Social Proof | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Sigma Art 14-24mm f/2.8 DG HSM 14-24mm | 54.9 | 28.4 | 8.8 | 72.7 | 97 | 24.5 | 63.6 | 69.3 | 94.9 | 35.9 |
| Tamron Di III 18-300mm f/3.5-6.3 Di III-A VC VXD Compare | 98.2 | 75.5 | 96.4 | 87.8 | 74.3 | 77.5 | 30.3 | 99.2 | 83.1 | 81.1 |
| Nikon NIKKOR Z 28-400mm f/4-8 VR Compare | 86.6 | 78.4 | 50.8 | 81.2 | 97 | 71.8 | 0 | 98.9 | 83.1 | 98.2 |
| Panasonic LUMIX G Leica DG Vario-Elmarit H-ES50200 Compare | 98.2 | 86.4 | 54.6 | 22.8 | 95.9 | 84.1 | 91.7 | 88.3 | 65.9 | 96.3 |
| Canon EF-S 18-135mm f/3.5-5.6 IS USM Compare | 86.6 | 75.5 | 46.6 | 33.2 | 79.8 | 77.5 | 0 | 96 | 78 | 92.5 |
| Sony E SELP1650 Compare | 86.6 | 75.5 | 93.6 | 35.1 | 64.4 | 77.5 | 63.6 | 83.5 | 74.1 | 92.5 |
Price
Rapport qualité-prix
Les prix varient énormément selon les vendeurs, de 1080$ à plus de 140 000$ (!), mais le vrai tarif tourne autour de 1100$. C'est franchement raisonnable pour une telle qualité optique. Comparez bien les offres, car certaines annonces sont délirantes. Par rapport au Nikkor Z 14-24mm f/2.8 S, vous économisez souvent plusieurs centaines d'euros sans perdre en netteté.
Amazon.fr 1 offres À partir de 1 285 €
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Aperçu
Voilà un zoom qui envoie du lourd, et pas seulement au sens figuré. Le Sigma 14-24mm f/2.8 DG HSM Art est un ultra grand-angle conçu pour les capteurs plein format, avec une optique qui tutoie les sommets. L'ouverture constante f/2.8 en fait un allié de choix pour la photo de nuit ou les intérieurs peu éclairés.
Évidemment, à 1150g sur la balance, il vous rappellera à l'ordre après une journée de rando. Et n'espérez pas visser un filtre sans passer par une solution coûteuse. Mais le piqué est tellement bon que beaucoup lui pardonnent ces caprices.
Questions fréquentes
Q: Cet objectif est-il trop performant pour un boîtier comme le Nikon D750 ?
Non, au contraire : sa netteté exploite parfaitement le capteur actuel et vous serez prêt pour un futur boîtier plus défini.
Q: Quel est son comportement en astrophoto ?
Excellent. L'ouverture f/2.8 et la focale ultra-large en font un choix idéal pour capturer la Voie lactée et les pluies d'étoiles filantes.
Q: Est-ce que son poids devient vite gênant ?
Avec 1150g, il fatigue le poignet en longue randonnée ou en shooting prolongé sans trépied. Prévoyez une bonne sangle ou un monopode.
À qui ce produit ne convient pas
Si vous filmez souvent sans stabilisation sur boîtier ou que vous refusez de vous encombrer d'adaptateurs de filtres, passez votre chemin. Le manque de stab optique rendra les vidéos à main levée tremblotantes, et les porte-filtres griffent le budget.
Verdict
Si vous cherchez un ultra grand-angle qui claque visuellement sans vous ruiner, foncez. Paysagistes, astrophotographes, vous allez l'adorer. Le poids et les filtres sont des concessions à accepter, mais la qualité d'image vous fera vite oublier ces tracas.
