Best Landscape Lenses Under CA$700 in 2026
Great Alternatives
These options also score highly and may better suit your specific needs
Tamron SP B001C700
Why we recommend this ▼
Covering a 10-24mm range (16-37mm equivalent) with built-in stabilization, this lens delivers versatile ultra-wide coverage in a lightweight 406g design. Its compact build and 77mm filter thread make it a cost-effective entry into wide-angle photography without sacrificing filter compatibility. Best for APS-C Canon shooters needing an affordable, stabilized lens for landscapes, architecture, and tight interior spaces.
Sigma Contemporary 56mm f/1.4 DC DN
Why we recommend this ▼
The Sigma 56mm f/1.4 DC DN delivers exceptional sharpness with its f/1.4 aperture and 9-blade diaphragm, plus weather sealing for durability. At just 73g, it's remarkably portable while scoring 93/100 for portraits and 93.9/100 for street photography. Best for APS-C shooters needing a fast, lightweight portrait lens with reliable autofocus and low-light capability.
Serounder 37mm 0.39X Professional HD Wide Angle
Why we recommend this ▼
The 0.39x magnification and HD coating provide close-up detail within a 100mm minimum focus distance, while the wide-angle element extends spatial depth in a 213g package. Its bundled phone clip and macro lens add versatility across DSLRs, camcorders, and mobile devices, aided by a common 72mm filter thread. This lens is best for casual videographers and vloggers seeking an affordable, lightweight wide-angle option for product close-ups and establishing shots.
Canon EF-S 18-55mm f/3.5-5.6 IS II
Why we recommend this ▼
Its 4-stop optical stabilization and 204g weight make this an exceptionally portable kit lens for Canon APS-C DSLRs. The lens provides a practical 18–55mm focal range with a close 250mm minimum focus distance, delivering sharp, stabilized images at a budget-friendly price point. It's best for beginner photographers seeking a compact, all-purpose zoom for travel and everyday shooting.
Sigma Art 30mm f/1.4 DC HSM
Why we recommend this ▼
A 30mm f/1.4 prime with stepping AF and weather sealing weighs just 285g, delivering consistent edge-to-edge sharpness on APS-C mirrorless bodies. Its 9-blade diaphragm produces smooth bokeh, while the dual aspherical and ED elements keep chromatic aberration minimal even wide open. Best for portrait and street photographers who prioritize a fast aperture in a compact, weather-resistant package.
Pentax DA DA 35mm f/2.4 AL
Why we recommend this ▼
Its 124g weight and weather sealing distinguish this Pentax 35mm f/2.4 APS-C prime, which uses Super Protect coating and a fast f/2.4 maximum aperture for a natural perspective. The lens provides a budget-friendly entry to prime shooting, with six elements including an aspherical lens for sharp edge-to-edge resolution and a pleasingly blurred background. It suits Pentax DSLR beginners and travel photographers seeking an ultralight, all-weather wide-angle lens for everyday snapshots.
Laowa 65mm f/2.8 2X Ultra Macro APO
Why we recommend this ▼
Its 2:1 maximum magnification and apochromatic design deliver sharp, color-accurate macro images at f/2.8. The 335g build and 9-blade diaphragm offer portable handling with smooth bokeh for handheld close-ups. This manual-focus lens best suits Canon RF APS-C shooters capturing extreme detail in insects, flowers, and tiny subjects.
Rokinon AS IF UMC 85mm f/1.4
Why we recommend this ▼
Its fast f/1.4 aperture and a hybrid aspherical element deliver sharp 85mm portraits with shallow depth of field, while the manual focus design keeps weight to 510g. Weather sealing and an 8-blade rounded diaphragm add durability and smooth bokeh at a budget-friendly price. This lens is best for portrait photographers on Pentax K full-frame cameras seeking precise manual focus control and classic rendering.
IRIX Firefly Firefly 15mm
Why we recommend this ▼
Its 15mm f/2.4 full-frame prime employs a 15-element, 11-group design with Neutrino coating to suppress flare and ghosting, plus a built-in AE chip for auto metering on Canon EF DSLRs. Weather sealing, a lightweight 599g ABS barrel, and an ergonomic focus ring with a focus lock enable precise, repeatable manual adjustments. This lens fits landscape and architectural photographers who demand flare-resistant optics and dependable manual focus in demanding light.
IRIX Blackstone 11mm f/4 Blackstone
Why we recommend this ▼
Its 16-element optical path with three aspherical and two ED elements, plus Neutrino coating, provides sharp, low-distortion images and a weather-sealed build at just 730g. The manual focus design features a rubberized ring, focus lock, and depth-of-field scale, offering precise control in a durable, weather-resistant ABS housing. This lens is ideal for Pentax K-mount users shooting ultra-wide landscapes and close-up details, given its 275mm minimum focus distance.
Canon EF-M 11-22mm f/4-5.6 IS STM
Why we recommend this ▼
Its 11–22mm focal length (17.6–35.2mm equivalent) covers ultra-wide to wide on APS-C, and built-in Optical Image Stabilization paired with STM autofocus delivers steady, quiet footage ideal for video. The lens focuses down to 0.15 m for a 0.30x maximum magnification, and its 7-blade circular aperture produces soft backgrounds—rare for a wide zoom. This is best for Canon EOS M shooters who need a compact, stabilized ultra-wide for vlogging, real estate walkthroughs, or tight interiors.
Rokinon 12M-C
Why we recommend this ▼
The 12mm full-frame fisheye captures a 180° diagonal view with a bright f/2.8 aperture and 12-element optics including 2 aspherical and 3 ED elements. Its fully manual focus and nanocrystal/UMC coatings suppress flare, making it a dependable, affordable option for architectural and creative landscape work. This lens is best for macro and portrait photographers who want extreme visual distortion but should avoid travel due to its specialized, bulky build.
Brightin Star 7.5mm F2.8 III Ultra Wide Angle Fisheye
Why we recommend this ▼
Its extraordinary 190-degree field of view and bright f/2.8 aperture capture expansive skies and tight interiors with minimal light falloff, aided by an 11-element, 9-group optical design that includes low-dispersion glass. The lens weighs just 260g and uses a 5-blade aperture to produce 10-point star effects, making it a compact, creative tool for dramatic wide-angle shots. This manual-focus fisheye is best for astrophotographers and architecture shooters on Canon EF-M mount who prioritize a distinct, sweeping perspective over autofocus convenience.
Rokinon Cine DS DS16M-C
Why we recommend this ▼
Offering a T2.2 constant aperture and a 13-element optical design with 2 aspherical and 1 ED element, the 16mm wide-angle prime’s unified Cine DS gear system requires no follow focus re-adjustment when swapping lenses. Ultra Multi-Coating reduces flare, while the included petal hood and a 7.9-inch minimum focus distance enable dramatic close-up wide shots. This lens suits APS-C Canon filmmakers who need an affordable, color-matched manual cine lens with close-focusing capability and consistent gearing for video rigs.
Viltrox AF AF 33mm f/1.4 M
Why we recommend this ▼
Its f/1.4 aperture and 10-element optical design with one ED element deliver sharp low-light performance, while the STM autofocus motor and built-in stabilization enable quiet, steady shooting. The lightweight 310g metal body, USB-C firmware upgrades, and near-zero focus breathing add practical versatility for video and stills. Best for Nikon Z APS-C photographers needing a bright, stabilized prime for low-light scenes, close-up details, and hybrid video work.