Best Sony Macro Lenses Under CA$1,500 in 2026
Sony G Master SEL100M28GM
Great Alternatives
These options also score highly and may better suit your specific needs
Sony Vario-Tessar SEL1635Z
Why we recommend this ▼
The power zoom uses four XD Linear Motors for smooth focal length changes, paired with a constant F4 aperture and optics with two Advanced Aspherical and one Super ED element to control distortion. Weighing just 353g with a constant physical length, it offers independent zoom, focus, and aperture rings for flexible control. Its lightweight power zoom design suits solo video shooters and content creators capturing handheld wide-angle footage.
Sony FE SEL90M28G
Why we recommend this ▼
The 90mm f/2.8 constant aperture and 1:1 macro magnification, paired with DDSSM autofocus and built-in Optical SteadyShot, deliver sharp handheld close-ups with smooth bokeh from the 9-blade circular iris. It also serves as a capable medium telephoto portrait lens, with weather sealing and Nano AR Coating for flare resistance. Best for macro and portrait photographers who need a single lens for detailed close-ups and creamy backgrounds.
Sony G E 15mm F1.4 APS-C Large-Aperture Wide-Angle
Why we recommend this ▼
With its bright f/1.4 aperture and 15mm focal length on APS-C, this lens delivers sharp corner-to-corner resolution and smooth bokeh, driven by dual linear motors for fast, silent autofocus. A compact, internal-focusing design keeps the length constant during focus, and the aperture ring offers click-on/off switching for seamless still-to-video transitions, while supporting focus breathing compensation. Best for Sony APS-C and Super35 video shooters and vloggers who need a wide, low-light prime with dependable tracking and minimal handling shifts.
Sony 18-135mm F3.5-5.6 OSS APS-C E-Mount
Why we recommend this ▼
An 18–135mm zoom with Optical SteadyShot, housed in a mere 11.5‑ounce body, delivers a truly grab‑and‑go versatility. Its linear‑motor autofocus is quick and silent, while the f/3.5–5.6 aperture yields smooth background blur for casual portraits. With a strong 90.4 budget score, this lens is ideal for travel photographers who want a single, stabilized optic covering wide landscapes to telephoto candids.
Sony Vario-Tessar T* FE SEL1635Z
Why we recommend this ▼
The constant f/4 aperture and ZEISS T* coating with 5 aspherical elements ensure edge-to-edge clarity and controlled flare, while the built-in Optical SteadyShot stabilizes handheld shots at 16-35mm. At just 518g with a 72mm filter thread, it’s highly portable, though this international model may bundle non-US accessories. It’s best for landscape photographers who need a lightweight, stabilized wide-angle zoom with 0.19x close-focusing for foreground details.
Sony APSARA LUMIERE APSARA LUMIERE 35
Why we recommend this ▼
Delivering a T1.4 maximum aperture with a 12-blade iris for expressive bokeh, the lens offers organic rendering and controlled flares inspired by vintage glass. Its compact, 678g housing includes 0.8 MOD gears with a 270° focus rotation and a low-profile illuminated focus mark for precise manual control. This lens suits independent cinematographers shooting narrative or music video work on full-frame Sony E-mount who value painterly image character and rig-friendly operation over autofocus or travel portability.
Sony Beetle 45mm T3.2 1.33x
Why we recommend this ▼
This full-frame 45mm anamorphic lens uses a 1.33x squeeze to deliver cinemascope widescreen and, with a button press, rotates 90° for vertical capture without rigging, all at a fixed T3.2 aperture. It’s an ultracompact 266g design with 0.8 mod gearing and a 200° focus rotation for precise manual pulling, producing signature silver flares and oval bokeh. Best for solo filmmakers documenting street portraits or vertical-first social content, though landscape shooters will find the 460mm minimum focus limiting.
Sony Remus-M Remus-M 50mm T2.0 1.5X
Sony MANTIS MANTIS 100mm T2.4 1.33x Anamorphic