Best Pick

Nikon NIKKOR AF-S NIKKOR 16-35mm f/4G ED VR

85.5 Score
16-35mm 4 Nikon F IS
Why we recommend this

The constant f/4 aperture and 2.5-stop Vibration Reduction enable sharp handheld shooting across the 16-35mm ultrawide zoom range. Weighing just 122g, it's remarkably light for a full-frame lens, with Nano Crystal Coat and ED elements suppressing flare and chromatic aberration. This lens is best for landscape and interior photographers who need an ultrawide perspective with consistent exposure control.

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Great Alternatives

These options also score highly and may better suit your specific needs

Sigma EX DC HSM 10-20mm f/3.5 EX DC HSM

78.9 Score
10-20mm f/3.5 Nikon F IS
Why we recommend this

A constant f/3.5 aperture and HSM autofocus with built-in Optical Stabilization ensure sharp, handheld ultra-wide shots across the 10–20mm zoom range. The Super Multi-Layer coating and four aspherical elements deliver edge-to-edge clarity, and the large 82mm filter thread simplifies using polarizers or ND filters. It’s best for Nikon APS-C shooters focusing on landscape and creative close-up work, thanks to a 24cm minimum focus distance that emphasizes foreground detail.

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Tamron SP SP 24-70mm f/2.8 Di VC USD G2

69.3 Score
24-70mm 22 Nikon F IS Weather Sealed
Why we recommend this

A constant f/2.8 across 24-70mm and VC stabilization deliver sharp handheld images, while eBAND and fluorine coatings reduce flare and moisture. Moisture-resistant construction and fast USD autofocus come at a cost below first-party rivals. Best suited for budget-minded Nikon F shooters focused on portraiture or video where stabilization and constant aperture are critical.

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Tamron SP SP 24-70mm f/2.8 Di VC USD G2 lens
Price CA$1,215

Zeiss Planar Classic ZF.2 T* 50mm f/1.4 Standard Camera

55.1 Score
50mm f/1.4 Nikon F IS
Why we recommend this

Its 10-element optical design with 1 aspherical and 4 ED elements, plus ZEISS T* coating, delivers exceptionally sharp images with minimal chromatic aberration and flare. The full-metal, 699g build provides a precise manual focus experience, and the user-declickable 10-blade aperture enables seamless iris adjustments for video. Best for portrait photographers seeking the signature “3D pop” and smooth bokeh, and for cinematographers who need stepless aperture control on Canon RF cameras.

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Sigma DG OS 70-300mm F/4-5.6 DG OS SLD

67 Score
70-300mm f/4 Nikon F (FX) IS
Why we recommend this

A 1:2 macro mode at 300mm combined with three SLD glass elements and a 540g body make this telezoom a versatile, lightweight option for close-up reach. Its built-in motor ensures autofocus on all Nikon DSLRs, while the super multi-layer coating effectively cuts flare. Best for budget-minded Nikon shooters who want a single, portable lens to capture distant wildlife and detailed flower shots in daylight.

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Sigma Art 50-100mm f/1.8 DC HSM

59.3 Score
50-100mm 16 Nikon F
Why we recommend this

A constant f/1.8 aperture across a 50-100mm zoom range on APS-C delivers a bright telephoto equivalent of 80-160mm, with four ED elements and HSM autofocus. Its professional-grade resolution and robust build make it a standout for crop-sensor systems, though it lacks stabilization and weather sealing. Best for sports and portrait photographers on APS-C bodies who need fast aperture in a telephoto zoom without switching to full frame.

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Sigma Art 50-100mm f/1.8 DC HSM lens
Price CA$1,440

Sigma EX DC OS HSM 17-50mm f/2.8 EX DC OS HSM

58 Score
17-50mm 22 Nikon F IS
Why we recommend this

A constant f/2.8 aperture and 4-stop optical stabilization anchor this zoom, with FLD glass delivering fluorite-level chromatic aberration correction for sharp, high-contrast images. Its 28cm minimum focus distance and 1:5 magnification enable near-macro versatility, and the EX-series build includes a petal hood and padded case. Best for APS-C Nikon DSLR shooters wanting a fast, stabilized standard zoom for event work and detail-rich portraits.

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Tokina atx-i 100mm f/2.8 FF Macro

49.1 Score
100mm f/2.8 Nikon F
Why we recommend this

Delivering life-size 1:1 magnification at an 11.8-inch minimum focus, this 100mm f/2.8 macro lens uses a flat-field optical design for corner-to-corner sharpness without field curvature. A One-Touch Focus Clutch mechanism enables instant switching between autofocus and manual focus, and a focus range limiter accelerates close-up performance within a portable 490g build. This lens is best for Nikon F-mount portrait photographers who also need true macro capabilities, leveraging the 100mm focal length for flattering subject compression and f/2.8 aperture for isolation.

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Zeiss Milvus 50mm f/2M ZF.2

33.6 Score
50mm 22 Nikon F Weather Sealed
Why we recommend this

Its Planar optical design and floating elements deliver sharp imagery at 1:2 macro magnification, with ZEISS T* coating suppressing flare across the f/2 to f/22 range. The all-metal, weather-sealed body and de-clickable 10-blade aperture ring offer precise tactile control for video and stills. Best for deliberate macro shooters on Nikon F-mount who value optical excellence and manual focus precision over autofocus convenience.

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Voigtländer Color-Skopar 28mm f/2.8 Color-Skopar SLIIs

30.2 Score
28mm 22 Nikon F
Why we recommend this

The all-metal construction and compact 205g weight make this 28mm f/2.8 prime a durable, lightweight walkaround option for Nikon F-mount shooters. Its 7-element optical design with two aspherical elements and a 9-blade diaphragm delivers sharp rendering and smooth bokeh in a purely manual-focus package. This lens is best for stills photographers who prioritize tactile, deliberate shooting and a classic rendering over autofocus speed.

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Trioplan 50mm f/2.8 II

29 Score
50mm f/2.8 Nikon F
Why we recommend this

The revised triplet optical design with coated Schott glass and a 12-blade diaphragm produces the signature soap bubble bokeh with improved contrast and central sharpness. Its all-metal, manual-focus build revives a century-old character lens with modern glass coatings for color neutrality in strong light. This lens is best for portrait photographers who prioritize ethereal, swirly background rendering over clinical sharpness or autofocus convenience.

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Rokinon Cine DS DS135M-N

27.2 Score
135mm 22 Nikon F
Why we recommend this

The Rokinon Cine DS 135mm T2.2 delivers full-frame telephoto reach with a fast T2.2 aperture and ED glass for controlled aberrations. Its unified gear positions and de-clicked aperture are tightly color-matched across the DS line, enabling quick lens swaps on a follow-focus rig. This lens is best for budget-conscious cinematographers needing a dedicated portrait or interview lens with smooth bokeh from its 9-blade diaphragm.

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Voigtländer Nokton Nokton 55mm f/1.2 SL IIs

22.2 Score
55mm 16 Nikon F
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Voigtländer SLIIs Apo-Skopar 90mm f/2.8 SLIIs Apo-Skopar

19.8 Score
90mm 22 Nikon F
Why we recommend this

Its apochromatic design uses five abnormal partial dispersion elements in a 7-element, 7-group optical formula to nearly eliminate axial chromatic aberration while maintaining a mere 261g weight. The all-metal manual focus helicoid and 52mm filter thread deliver a compact, tactile shooting experience that feels purposeful on full-frame Nikon F-mount bodies. Best for portrait photographers who want precise manual focusing and classic rendering without autofocus bulk.

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