Best Lenses under CA$700 for video production

Best Pick

Canon RF 18-45mm F4.5-6.3

81.6 Video/Cinema Score
18-45mm f/4.5 Canon RF IS
Why we recommend this

Weighing just 136g with a retractable barrel, this lens delivers 4 stops of optical image stabilization and near-silent STM focusing for sharp, discreet handheld shooting. Its Coordinated IS provides up to 6 stops of correction on compatible bodies, and the twist-to-retract mechanism keeps it extremely compact. It’s ideal for travelers and vloggers using Canon APS-C cameras who need a lightweight, versatile zoom for smooth video and everyday stills.

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Canon EF 9521B002

78.2 Video/Cinema Score
24-105mm 5.6 Canon EF IS
Why we recommend this

The STM motor delivers smooth, near-silent autofocus for video, while the 4-stop image stabilizer keeps handheld shots steady across the 24–105mm range. Weighing just 525g, it’s among the lightest full-frame zooms, with manual focus override and optimized coatings that enhance contrast. Best for budget-conscious hybrid shooters who prioritize a portable, stabilized zoom for landscapes, travel, and video, but don’t need wide-aperture isolation for portraits.

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Canon EF-S EF-S 55-250mm f/4-5.6 IS STM

73.7 Video/Cinema Score
55-250mm f/4 Canon EF-S IS
Why we recommend this

A 4-stop Image Stabilizer and a UD-glass element in a 391g body give this 55-250mm f/4-5.6 lens (effective 88-400mm on APS-C) a strong reach-to-portability ratio. Its low price point and compact build make telephoto photography accessible without the bulk of faster L-series glass. This lens is best for budget-focused Canon APS-C DSLR owners who want a lightweight zoom for casual wildlife, sports, or outdoor event photography.

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Canon RF-S 55-210mm f/5-7.1 IS STM

73.4 Video/Cinema Score
55-210mm f/5 Canon RF IS
Why we recommend this

Its 55–210mm range (88–336mm full-frame equivalent) pairs with 4.5-stop stabilization and a quiet STM motor in a 269g body. The 9-blade rounded diaphragm and Super Spectra Coating produce smooth bokeh while suppressing flare, making it a capable budget telezoom. Best for street photographers who need a lightweight, discreet telephoto reach for candid portraits and distant subjects without the bulk.

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Canon Altura Photo 49MM 0.43x HD Wide Angle

61 Video/Cinema Score
Screw-on lens fits camera lenses with a 49mm front filter thread IS
Why we recommend this

Screwing onto 49mm filter threads, this converter adds a 0.43x wide-angle field of view and a detachable macro lens that scores 81.1 for close-ups, using multicoated glass for clarity. Broad compatibility across Canon EF-M, Sony E, and Fujifilm X lenses makes it a versatile, single add-on for multiple systems. It’s best for macro hobbyists and vloggers seeking an affordable way to capture detailed close-ups and wider perspectives without buying dedicated glass.

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Canon EF-M 11-22mm f/4-5.6 IS STM

56.5 Video/Cinema Score
11-22mm f/4 Canon EF-M IS
Why we recommend this

Its 11–22mm focal length (17.6–35.2mm equivalent) covers ultra-wide to wide on APS-C, and built-in Optical Image Stabilization paired with STM autofocus delivers steady, quiet footage ideal for video. The lens focuses down to 0.15 m for a 0.30x maximum magnification, and its 7-blade circular aperture produces soft backgrounds—rare for a wide zoom. This is best for Canon EOS M shooters who need a compact, stabilized ultra-wide for vlogging, real estate walkthroughs, or tight interiors.

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Best Lenses under CA$1,500 for video production

Best Pick

Canon RF RF16-28mm F2.8 IS STM

84.7 Video/Cinema Score
16-28mm 22 Canon RF IS Weather Sealed
Why we recommend this

Constant f/2.8 aperture, 5-stop optical stabilization, and a lightweight 420g build make this full-frame ultra-wide zoom stand out. Its weather-sealed body and smooth STM autofocus suit run-and-gun video, while the close 201mm minimum focus distance creates dramatic near-macro perspectives from an ultra-wide angle. Vloggers and hybrid shooters needing a portable, stabilized f/2.8 lens for handheld 4K footage will find it ideal.

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Canon EF-S 18-200mm f/3.5-5.6 IS

70.1 Video/Cinema Score
18-200mm f/3.5 Canon EF-S IS
Why we recommend this

A refurbished all-in-one zoom spanning 18–200mm (29–320mm equivalent) with 4-stop optical stabilization ensures shake-free framing even at full telephoto. Its compact build focuses down to 0.45m for 0.24x magnification and the certified refurbished condition provides like-new performance at a budget-friendly price. It’s best for travelers and vloggers needing a single, lightweight lens to capture wide landscapes and distant details without swapping glass.

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Canon EF-S 18-200mm f/3.5-5.6 IS lens
Price CA$958

Canon Beetle BEE-3LS-RF

56.3 Video/Cinema Score
32-65mm T3.2 Canon RF
Why we recommend this

This three-lens set pairs a 1.33x anamorphic squeeze with constant T3.2 aperture across 32mm, 45mm, and 65mm focal lengths, covering full-frame Canon RF sensors in a lightweight 286g body. The lenses produce classic silver flares and oval bokeh, and a dedicated button rotates the mount 90° for instant vertical capture, while 0.8 mod gearing with 200° focus rotation ensures precise manual pulls. Indie filmmakers and social content creators who need a compact anamorphic kit for gimbal-mounted shoots and vertical-first platforms.

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Canon L EF 17-40mm USM

52.2 Video/Cinema Score
40mm f/4 Canon EF
Why we recommend this

Combining L-series build quality with a constant f/4 aperture, this 17-40mm zoom delivers consistent exposure across its range and features a Super UD element with three aspherical elements to curb aberrations. Its weather-sealed, 499g body and ring-type USM motor provide silent, fast autofocus with full-time manual override, making it a durable and portable wide-angle option. This lens is best for full-frame landscape and architecture shooters who need a rugged, affordable ultra-wide zoom with a constant aperture.

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Canon RF RF100-400mm F5.6-8 IS USM

51.4 Video/Cinema Score
100-400mm 45 Canon RF IS
Why we recommend this

A 100-400mm telephoto with Nano USM autofocus and 5.5-stop Optical Image Stabilizer (6 stops with IBIS) delivers a 0.41x maximum magnification and extends to 800mm with optional teleconverters. Its compact build and 67mm filter thread keep the kit portable, while Super Spectra Coated optics including an ED element control chromatic aberration across the zoom range. This lens is best for budget-conscious wildlife and travel photographers who need a lightweight, stabilized super-telephoto with close-focus capability.

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Canon APSARA LUMIERE APSARA LUMIERE 75

43.2 Video/Cinema Score
75mm 16 Canon RF
Why we recommend this

The T1.4 maximum aperture and 18-blade iris produce expressive bokeh and subtle highlight blooms with organic, controlled flares on full-frame Canon RF sensors. A 270° focus throw, 0.8 MOD gears, and a soft, low-profile focus mark light ensure precise manual operation, even though the lens weighs 780g and lacks stabilization. This cine lens excels for macro and portrait video work, scoring 51.7 and 45.5 respectively, but is not designed for travel due to its low 18.5 travel score.

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Canon L EF 135mm f/2L USM

29.7 Video/Cinema Score
135mm f/135 Canon EF
Why we recommend this

Combining an f/2 maximum aperture with two ED elements and Super Spectra coating, this L-series 135mm prime provides sharp subject isolation and smooth bokeh. The ring-type USM autofocus is fast and quiet, while its 127-gram weight is unusually low for a bright telephoto lens, enhancing all-day portability. It’s ideal for street and portrait shooters who need to compress perspective and separate subjects from busy backgrounds.

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Best Lenses under CA$2,000 for video production

Best Pick

Canon EF 100mm F2.8L Macro IS USM

91.1 Video/Cinema Score
100mm f/2.8 Canon EF IS Weather Sealed
Why we recommend this

The L-series build with weather sealing and a 4-stop Hybrid IS system makes this the first stabilized 1:1 macro lens in Canon’s lineup, delivering sharp handheld close-ups without a tripod. Its 100mm focal length and f/2.8 aperture also produce flattering portrait compression with smooth bokeh, effectively serving as a dual-purpose lens. This lens is best for macro photographers and portrait shooters using Canon EF-mount DSLRs who need stabilized, life-size magnification in a single rugged optic.

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Price CA$1,640
Canon EF 100mm F2.8L Macro IS USM lens

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Canon L-series EF 35mm f/1.4L II USM

84.4 Video/Cinema Score
35mm 1.4 Canon EF Weather Sealed
Why we recommend this

The Canon RF 35mm f/1.4 L VCM combines an ultra-fast f/1.4 aperture with a dual focus system (Nano USM + VCM) and 7-stop stabilization, delivering silent, near-breathing-free autofocus. Its hybrid design features a manual iris ring, dual filter options (67mm front + rear gel slot), and weather sealing. Best suited for videographers and still photographers who need a fast, quiet wide-angle prime for mixed shooting environments.

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Canon L-series EF 35mm f/1.4L II USM lens
Price CA$1,999
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Also available open box & refurbished:

Canon L RF85mm F1.4 L VCM

83.6 Video/Cinema Score
85mm 16 Canon RF IS Weather Sealed
Why we recommend this

As Canon’s first 85mm L-series lens with image stabilization, its f/1.4 aperture and optical design with an aspherical and ED element yield sharp portraits with smooth bokeh. Dust- and water-resistant construction combined with fluorine coatings ensures reliable performance in harsh outdoor conditions. Wedding and portrait photographers who frequently shoot handheld in dim venues will benefit most from the stabilized fast aperture and ring-type ultrasonic autofocus.

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Canon L RF85mm F1.4 L VCM lens
Price CA$1,999

Canon L Series EF 14mm f/2.8L II USM

47.9 Video/Cinema Score
14mm 22 Canon EF Mount Weather Sealed
Why we recommend this

Its 14mm rectilinear design and f/2.8 aperture deliver a 114‑degree angle of view with minimal distortion, thanks to two aspherical and two UD elements. A ring‑type USM motor provides fast, near‑silent autofocus for video work, and the weather‑sealed L‑series body handles harsh field conditions reliably. This lens is best for architecture and real estate photographers who need consistent corner‑to‑corner sharpness in a durable ultra‑wide prime.

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Canon L Series EF 14mm f/2.8L II USM lens
Price CA$1,750

Best Lenses under CA$3,500 for video production

Best Pick

Canon L RF 15-35mm F2.8 L IS USM

96.2 Video/Cinema Score
15-35mm f/2.8 Canon RF IS Weather Sealed
Why we recommend this

A constant f/2.8 aperture across the 15-35mm zoom range pairs with 5-stop optical stabilization and weather sealing for reliable handheld shooting in low light. The Air-Sphere coating effectively reduces flare, while Nano USM delivers fast, near-silent autofocus suitable for both stills and video. Best for landscape and documentary photographers who need a durable, fast wide-angle zoom for varied lighting conditions.

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Price CA$3,099
Check Price at Amazon.ca
Also available open box & refurbished:
Canon L RF 15-35mm F2.8 L IS USM lens

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Canon L RF 10-20mm f/4 L IS STM

91.1 Video/Cinema Score
10-20mm f/10 Canon RF IS Weather Sealed
Why we recommend this

A rectilinear 10mm ultra-wide focal length, constant f/4 aperture, and 5-stop image stabilization define this lens for capturing sharp, expansive scenes. Weighing only 570g, its weather-sealed construction and smooth STM autofocus make it equally capable for handheld outdoor video and stills. Best for landscape photographers and videographers who need extreme perspectives for architecture and environmental footage.

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Canon L-Series RF 20mm f/1.4 L

90 Video/Cinema Score
20mm 1.4 Canon RF Weather Sealed
Why we recommend this

Its 20mm focal length and bright f/1.4 aperture deliver edge-to-edge sharpness, supported by VCM and Nano USM autofocus and weather-sealed construction. Minimized focus breathing and an 11-blade diaphragm enhance video work, while advanced coatings reduce flare for clean high-contrast scenes. This lens suits landscape and astrophotography specialists requiring a fast, weather-resistant ultra-wide prime with a 94° angle of view.

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Canon RF RF200-800mm F6.3-9IS

76.5 Video/Cinema Score
200-800mm 9 Canon RF IS Weather Sealed
Why we recommend this

The 200-800mm focal range with 5.5-stop image stabilization enables steady handheld shooting at extreme telephoto distances, supported by Nano USM for fast, silent autofocus. Weighing 4.5 pounds and featuring weather-resistant construction, it delivers portable durability and competitive value within the RF mount ecosystem. This lens is best for wildlife and sports photographers who need a single, all-day handheld super-telephoto solution.

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Canon RF RF200-800mm F6.3-9IS lens
Price CA$2,600

Canon TS-E TS-E 24mm f/3.5L II

71.9 Video/Cinema Score
24mm 3.5 Canon EF IS Weather Sealed
Why we recommend this

The +/-8.5° tilt and +/-12mm shift with four UD elements and one aspherical element correct perspective and chromatic aberration for sharp 24mm images. Its 1:2 maximum magnification and SWC coating provide close-up capability and flare resistance rare in a tilt-shift lens. This lens suits architectural and product photographers who need precise perspective control and high-resolution edge-to-edge detail.

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Canon Remus-M Remus-M 1.5x FF Anamorphic 33, 50, and 85mm 3-Lens Set

56.3 Video/Cinema Score
33-85mm T2.8 Sony E
Why we recommend this

Its 1.5x anamorphic squeeze across 33mm, 50mm, and 85mm full-frame lenses with T1.8, T2.0, and T2.8 apertures and a 16-blade iris delivers a classic widescreen look with silver flares and oval bokeh. The set includes Canon RF-mount adapters for dual-system use, and each lens weighs just 107g, making it easy to balance on gimbals. Best for indie filmmakers and music video creators shooting on Sony E or Canon RF mounts who need a complete anamorphic prime kit for narrative, portrait, and street videography.

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Premium Lenses for video production

Best Pick

Canon RF RF24-105mm F2.8 L IS USM Z

83 Video/Cinema Score
24-105mm 22 Canon RF IS Weather Sealed
Why we recommend this

Combining a constant f/2.8 aperture, 5.5-stop stabilization, and Dual Nano USM autofocus across a 24-105mm zoom, this weather-sealed L-series lens stands out for low-light event capture. Its internal zoom mechanism and four configurable control rings cater directly to video shooters, while the 11-blade diaphragm delivers smooth bokeh. It’s best for hybrid photographers and videographers covering weddings or documentaries who demand versatile, single-lens performance with robust build quality.

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Canon L RF 70-200mm f/2.8 L IS USM

76.8 Video/Cinema Score
70-200mm 32 Canon EF IS Weather Sealed
Why we recommend this

The constant f/2.8 aperture, 5-stop stabilization, and dual Nano USM autofocus deliver professional telephoto performance in a compact 1066g body. Its 0.7m minimum focus distance and 0.3x maximum magnification provide near-macro capability, while weather sealing ensures reliability in the field. This lens is ideal for landscape and sports photographers who need a lightweight, fast-aperture zoom with robust image stabilization.

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Canon L RF 70-200mm f/2.8 L IS USM lens
Price CA$3,600
Check Price at Amazon.ca
Also available at:
Also available open box & refurbished:

Canon L-Series RF14mm F1.4 L VCM

64.1 Video/Cinema Score
14mm f/14 Canon RF IS Weather Sealed
Why we recommend this

The f/1.4 aperture on a 14mm full-frame lens, combined with an 11-blade iris and VCM autofocus, delivers silent, fast focusing and strong low-light performance in a weather-sealed body. Its 895g weight and de-clickable manual aperture ring support smooth exposure changes, while minimal focus breathing keeps framing consistent during focus pulls. This prime is best for hybrid shooters and videographers capturing wide, dimly lit scenes where quiet operation and controlled depth of field are essential.

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Canon L RF100-500mm F4.5-7.1 L IS USM

56.7 Video/Cinema Score
100-500mm 54 Canon RF IS Weather Sealed
Why we recommend this

The 100-500mm f/4.5-7.1 L IS USM pairs a versatile 100–500mm focal range with 7 ED elements, Air Sphere coating, and 5-stop optical stabilization in a weather-sealed, travel-sized build. Its Dual Nano USM autofocus drives swift, near-silent focusing, and three IS modes—standard, panning, and exposure-only—enable precise control for moving subjects. This lens suits wildlife and sports photographers who need a portable super-telephoto zoom for handheld shooting in the field.

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Canon Leitz Cine HEKTOR 73mm T2.1

37.5 Video/Cinema Score
73mm Interchangeable Mount with Included Sony E
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Canon APSARA LUMIERE 24mm T1.4

32.4 Video/Cinema Score
24mm 16 Canon RF
Why we recommend this

The f/1.4 aperture and 11-blade diaphragm deliver low-light prowess and creamy bokeh, with VCM and Nano USM motors ensuring fast, quiet AF for video. Weather sealing, a manual iris ring, and a lightweight 515g body add practical, durable handling. It's best for hybrid shooters covering weddings or documentaries who need a silent, wide-angle prime.

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Canon APO Mini Prime AMPCS-W-EF

28.7 Video/Cinema Score
21-110mm T22 Canon EF
Why we recommend this

The Dulens APO Mini Prime set spans 21-110mm with T2.4-T2.6 apertures, full-frame coverage, and apochromatic correction for low chromatic aberration. All six lenses share an 80mm front diameter, 72mm filter thread, and 0.8 MOD gears, plus coatings that produce a smooth vintage look. Ideal for indie filmmakers on a budget who need a consistent, characterful prime set for Canon EF-mount cameras.

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Canon HEKTOR HEKTOR 50mm T2.1

26.2 Video/Cinema Score
50mm 22 Interchangeable Mount with Included Sony E
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