Best Video/Cinema Lenses Under CA$700 in 2026
Nikon NIKKOR 2198-IV
Great Alternatives
These options also score highly and may better suit your specific needs
Sigma Art 28mm f/1.4 DG HSM
Why we recommend this ▼
Combining an f/1.4 maximum aperture with 17 elements—including 3 aspherical and 5 ED glass—the lens delivers sharp, edge-to-edge clarity and strong contrast. Its weather-sealed barrel and HSM autofocus provide reliable, quiet performance in dusty or damp environments. It's best for landscape and street photographers who routinely shoot wide-open in low light and need a rugged, fast 28mm prime.
IRIX 15mm f/2.4 Firefly
Why we recommend this ▼
The 15mm f/2.4 prime uses 15 elements including two aspherical, two ED, and Neutrino coating to suppress aberrations and flare, all in a weather-sealed magnesium housing with damped manual focus. Luminous depth-of-field markings and a 1:2 maximum magnification enable low-light precision, while its 95mm front and rear gelatin filter support attachment flexibility. It’s best for Nikon F landscape and architectural photographers who need a durable, all-weather ultra-wide prime with critical manual focus control.
Yongnuo YN35mm F2N
Why we recommend this ▼
A bright f/2 aperture and 7-blade diaphragm produce soft background blur and 14-point sunstars, while USB firmware updates keep the 318g metal-mount lens compatible with modern Nikon DSLRs. Full electronic compatibility—autofocus, manual focus, live view, and EXIF data—on full-frame and APS-C bodies adds practical value at its low price. This affordable prime suits Nikon DSLR shooters focused on macro-style close-ups and shallow depth-of-field portraits rather than landscapes.
Tamron SP AFF013N-700
Why we recommend this ▼
VC image stabilization, weather sealing, and an f/1.8 aperture in a compact 115g prime lens make it a standout for Nikon F full-frame systems. Its optical formula, with two aspherical and one ED element plus eBAND and BBAR coatings, ensures sharpness and supports close-focusing to 1:3.4 magnification. Best for portrait and street photographers who need a stabilized, lightweight normal prime for detail-rich environmental shots.
Rokinon 20mm f/1.8 ED AS UMC
Why we recommend this ▼
The bright f/1.8 aperture and 20mm focal length, combined with two aspherical and three ED elements, produce sharp, aberration-controlled images on full-frame Nikon F cameras. Its 485g manual focus design focuses down to 7.9 inches, and the 7-blade rounded diaphragm with Ultra Multi-Coating creates smooth bokeh while resisting flare. This lens suits astrophotographers and portrait shooters who prioritize a fast wide-angle perspective and hands-on control without needing autofocus.
Laowa 25mm f/2.8 2.5-5x Ultra-Macro
Why we recommend this ▼
A 5:1 maximum magnification with a 1.6-inch working distance at 6.8-inch minimum focus enables extreme close-up detail beyond typical 1:1 macros, backed by an extra-low dispersion element for clarity. The wide-angle 25mm focal length and f/2.8 aperture provide greater depth of field and bright viewing, while the 400g slim barrel simplifies handheld use with artificial lighting. This manual-focus lens is best for dedicated macro photographers needing precise, high-magnification captures on Nikon Z full-frame bodies.
Samyang 16mm f/2.0 ED AS UMC CS
Why we recommend this ▼
A bright f/2.0 maximum aperture and optics with two aspherical and one extra-low dispersion element produce sharp, flare-resistant images in this manual-focus wide-angle lens. The 24mm equivalent perspective and precise focus ring provide deliberate control for deep depth-of-field landscapes and low-light scenes. Astrophotographers and Nikon APS-C landscape shooters looking for an affordable, fast prime will find it a sturdy, no-compromise option.
Nikon HPL-N
Why we recommend this ▼
This 0.25mm pinhole lens projects a soft-focus, vignette-heavy image with unlimited depth of field onto any Nikon F-mount DSLR, producing the distinct Holga lo-fi look straight out of camera. Weighing just 50g and needing no batteries or software, it mounts directly for film-free photographs without developing costs or hassle. It suits experimental photographers and street shooters who value immediate, analog-inspired character over sharpness and technical precision.
Mitakon Zhongyi 85mm f/2
Why we recommend this ▼
The bright f/2 aperture and 10-blade diaphragm produce smooth bokeh and strong subject isolation on full-frame Nikon F bodies. Its all-metal construction and smooth manual focus ring offer a tactile, vintage shooting experience at an accessible price point. This lens is best for portrait photographers who prioritize deliberate manual focus and classic rendering over modern autofocus convenience.
Tokina atx-i 17-35mm f/4 FF
Why we recommend this ▼
A constant f/4 aperture and weather-sealed build pair with three aspherical and two ED elements for consistent edge-to-edge sharpness across the 17-35mm range. The one-touch focus clutch instantly switches between AF and MF, while the 9-blade diaphragm provides smooth out-of-focus rendering at close distances. This lens is best for Nikon F-mount landscape and architecture photographers needing a lightweight 569g zoom that focuses down to 280mm for 1:4.7 magnification near-far compositions.
Samyang SYIO85AF-N
Why we recommend this ▼
The Samyang AF 85mm f/1.4 F pairs a bright f/1.4 aperture with a lightweight 480g body, weather sealing, and one aspherical plus one ED element for sharpness. Its Ultrasonic Dual Linear AF motor and nine-blade diaphragm deliver quiet, smooth bokeh at a price significantly below first-party 85mm lenses, as reflected by its strong budget scores. This lens is ideal for Nikon F-mount portrait and event photographers who demand a fast, portable telephoto prime that can handle dusty or damp conditions.
Laowa Zero-D 14mm f/4
Why we recommend this ▼
Its 14mm focal length provides a 114° angle of view with near-zero distortion, achieved through two aspherical and two extra-low dispersion elements. The lens weighs just 360g and features a calibratable focusing scale for precise manual focus, while its 5.7-inch minimum focus distance enables strong foreground emphasis. This is ideal for architectural and landscape photographers who need a compact, distortion-free ultra-wide prime with manual control.
Tokina 10-17mm f/3.5-4.5 AT-X 107 DX AF Fisheye
Why we recommend this ▼
Offering a rare zoom range for a fisheye, this lens covers 10-17mm on Nikon DX bodies with an f/3.5-4.5 aperture, enabling both extreme wide views and tighter compositions. At just 349g with a 140mm minimum focus and 1:2.56 max magnification, it doubles as a light, creative macro tool with a solid 4.5-star user rating. This lens suits APS-C shooters who want a playful, close-focusing fisheye for experimental portraits and close-ups rather than traditional landscape work.
Tokina SZX SZX 400mm f/8 Reflex MF
Why we recommend this ▼
Weighing just 355g, this catadioptric lens delivers 400mm full-frame coverage with a fixed f/8 aperture and includes a 2x extender for 800mm reach. Its 1:2.5 maximum magnification at 45.3 inches enables near-macro close-ups, while the mirror design produces distinctive ring-shaped out-of-focus highlights. Best for budget-conscious hobbyists shooting portraits or video who want an ultralight manual-focus super-telephoto with creative bokeh and extended reach.
Voigtländer SEPTON SEPTON 40mm f/2 Aspherical
Why we recommend this ▼
The 40mm f/2 lens stands out with its manual focus design, durable metal barrel, and an aspherical element that ensures sharp, low-distortion results across the aperture range. A 10-blade diaphragm combined with an 11.8-inch minimum focus distance delivers smooth bokeh for close-up work, while the compact 260g build remains highly portable. Best suited for macro and street photographers who prioritize tactile, precise control and full-frame coverage over autofocus speed, reflected in its 49.7 macro score.