Best Landscape Lenses Under £2,000 in 2026
Canon L RF 15-35mm F2.8 L IS USM
Great Alternatives
These options also score highly and may better suit your specific needs
Sigma Art 14-24mm f/2.8 DG DN ART
Why we recommend this ▼
Sharpness across the frame stands out, thanks to 19 elements with 3 aspherical and 6 ED glass, paired with a constant f/2.8 aperture and 11-blade diaphragm. The lens is fully weather-sealed and features a fast, quiet stepping motor, ensuring reliable autofocus for both stills and video. This lens best serves astrophotography and event photographers who demand edge-to-edge detail and wide light-gathering capability in a durable build.
Sony G Master SEL1635GM2
Why we recommend this ▼
The 547g weight and 20% reduction in size over the predecessor make this constant f/2.8 zoom exceptionally portable, while four XD linear motors deliver fast, silent autofocus. Its 22.1cm minimum focus and 0.32x magnification extend close-up versatility, and the weather-sealed build with fluorine coating ensures field durability. This lens is best for landscape photographers and hybrid video shooters who need a lightweight, rugged wide-angle with smooth aperture de-click and zoom control.
Fujifilm XF 50-140mm f/2.8 R LM OIS WR
Why we recommend this ▼
The constant f/2.8 aperture across a 76-213mm equivalent range, paired with triple linear motor AF and optical stabilization, makes this lens a versatile telephoto zoom. Its weather-sealed construction and five ED elements deliver sharp, consistent results even in rain or dust, earning a 4.5/5 from reviewers. Best for landscape photographers who need a durable, fast zoom for variable outdoor conditions.
Sigma Sports 70-200mm f/2.8 DG DN OS
Why we recommend this ▼
The Sigma 70-200mm f/2.8 DG DN OS Sports combines a constant f/2.8 aperture with dual HLA motors for fast autofocus and up to 7.5 stops of stabilization via the OS2 algorithm. Its weather-sealed build and Super Multi-Layer Coating with water- and oil-repellent layers ensure reliable outdoor performance without sacrificing portability at just 212g. Best for landscape and travel photographers who need a lightweight telephoto zoom with excellent stabilization for handheld shooting in variable conditions.
Tamron Di III 35-150mm f/2-2.8 Di III VXD
Why we recommend this ▼
Covering a unique 35-150mm range with a fast f/2-2.8 aperture, this full-frame zoom eliminates the need for multiple prime lenses. Its weather-sealed construction, fluorine coating, and rapid VXD autofocus deliver reliable performance in challenging conditions at a competitive price. Best for portrait and event photographers who want a bright, versatile zoom without sacrificing critical image quality or speed.
Nikon NIKKOR Z 17-28mm f/2.8
Why we recommend this ▼
The constant f/2.8 aperture across a 17-28mm range, paired with a lightweight 450g, weather-sealed build, makes this an unobtrusive, all-day lens for cramped interiors and wide exteriors. Its stepping motor drives near-silent autofocus that's ideal for gimbal video, while 3 aspherical and 2 ED elements maintain corner-to-corner sharpness even wide open. This lens is best for real estate photographers and videographers who need one workhorse wide-angle to handle both detailed stills and continuous walkthrough footage.
OM System M.Zuiko Digital ED 100-400mm f/5-6.3 IS II
Why we recommend this ▼
The 200-800mm equivalent reach and 7-stop sync image stabilization enable sharp handheld telephoto capture in a compact 1120g package. Weather-sealed construction and a 0.57x maximum magnification add all-weather durability and near-macro versatility. This lens is ideal for birding and wildlife photographers who need a lightweight, stabilized super-telephoto for Micro Four Thirds bodies.
Canon L IS USM
Why we recommend this ▼
Combining a constant f/4 aperture with 5.5-stop stabilization and a 14mm ultra-wide perspective, this lens delivers sharp, handheld results thanks to three UD and three aspherical elements. Its relatively compact 544g build and weather sealing make it a practical, durable choice for walkaround shooting without sacrificing L-series optical quality. This lens is best for landscape and architectural photographers who need a versatile wide zoom with reliable stabilization for on-location work.
Nikon NIKKOR AF-S NIKKOR 16-35mm f/4G ED VR
Why we recommend this ▼
The constant f/4 aperture and 2.5-stop Vibration Reduction enable sharp handheld shooting across the 16-35mm ultrawide zoom range. Weighing just 122g, it's remarkably light for a full-frame lens, with Nano Crystal Coat and ED elements suppressing flare and chromatic aberration. This lens is best for landscape and interior photographers who need an ultrawide perspective with consistent exposure control.
Sony G SELP28135G
Why we recommend this ▼
The powered zoom and linear motor enable silent, smooth focal length transitions, while the constant f/4 aperture and Optical SteadyShot deliver consistent exposure and sharpness across the 28–135mm range. Its 1200g weight and weather-sealed construction provide stable handheld footage and durable outdoor operation. This lens is best for documentary filmmakers and event videographers who require a versatile, stabilized all-in-one zoom for run-and-gun production.
Canon EF EF 24-70mm f/2.8L II USM
Why we recommend this ▼
A constant f/2.8 aperture, USM autofocus, and 5-stop image stabilization make this a reliable zoom for varied lighting, with weather sealing adding durability. Its versatile 24-70mm range earns top marks for landscape (99.6/100) and travel (97.1/100), while the bundle includes practical extras like a filter kit and backpack. Best for landscape and travel photographers who need a rugged, all-purpose standard zoom for full-frame Canon bodies.
Rokinon AF IO2460AFZ-E
Why we recommend this ▼
The Rokinon AF 24-60mm F2.8 FE offers a constant f/2.8 aperture across a useful zoom range, with weather sealing and a lightweight 494g aluminum body for outdoor durability. Its Hydro Shield coating resists moisture and dust, while the programmable control button and smooth manual focus ring suit video work. At a competitive price, this lens is best for hybrid shooters balancing macro and video content on Sony full-frame bodies.
Pentax HD D-FA HD D-FA 24-70mm f/2.8 ED SDM WR
Why we recommend this ▼
A constant f/2.8 aperture and weather-sealed construction, paired with three ED and three aspherical elements, deliver sharp, low-light performance on full-frame K-mount bodies. HD coating and a nine-blade rounded diaphragm suppress flare while producing smooth bokeh, aided by a silent SDM autofocus motor with quick-shift focus. This lens suits portrait and event photographers using Pentax full-frame DSLRs who need a durable, fast standard zoom for harsh environments.
Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 ASPH Zoom Camera
Why we recommend this ▼
A constant f/1.7 aperture across the entire 10-25mm zoom range and a stepless, de-clicked aperture ring make this lens a standout for seamless video exposure changes. Its Leica-certified optical design, featuring 3 aspherical and 4 ED elements, delivers high resolution in a rugged, weather-sealed 690g body. This lens is best for videographers and photographers needing a fast, wide-to-standard zoom with silent, smooth iris control for run-and-gun shooting.
Pentax DA DA 11-18mm f/2.8 ED DC AW
Why we recommend this ▼
The constant f/2.8 aperture across the 11-18mm focal range, paired with ED glass and HD coating, ensures sharp, high-contrast images with minimal flare even in low light. Its fully weather-sealed AW construction and quiet DC autofocus motor make it reliable for both stills and video in harsh environments. This lens is best for landscape and astrophotography shooters needing a rugged, light-gathering ultra-wide zoom on Pentax APS-C cameras.