Best Lenses under £400 for video production

Best Pick

Canon EF 9521B002

78.2 Video/Cinema Score
24-105mm 5.6 Canon EF IS
Why we recommend this

The STM motor delivers smooth, near-silent autofocus for video, while the 4-stop image stabilizer keeps handheld shots steady across the 24–105mm range. Weighing just 525g, it’s among the lightest full-frame zooms, with manual focus override and optimized coatings that enhance contrast. Best for budget-conscious hybrid shooters who prioritize a portable, stabilized zoom for landscapes, travel, and video, but don’t need wide-aperture isolation for portraits.

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Canon EF-S EF-S2428STM

78.1 Video/Cinema Score
24mm 2.8 Canon EF-S IS
Why we recommend this

Weighing just 125g and measuring under an inch thick, it's the slimmest and lightest EF-S lens with a 24mm f/2.8 prime (38mm equivalent) and STM autofocus. Its silent STM motor and micro-stepping aperture drive enable smooth focus tracking during video, while full-time manual focus offers precise control. Best for video-centric Canon APS-C shooters—vloggers or hybrid creators—who need a compact, quiet lens for cinematic work and street photography.

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Canon RF 24-50mm f/4.5-6.3 IS STM

69.1 Video/Cinema Score
24-50mm 6.3 Canon RF IS
Why we recommend this

At only 210g with 4.5-stop stabilization, the 24-50mm f/4.5-6.3 provides an ultralight stabilized standard zoom for full-frame RF cameras. A collapsible form, Super Spectra Coating, and dual aspherical elements ensure sharp, low-distortion shots at a budget price, while the STM motor operates silently for video. It’s ideal for vloggers and casual EOS R-series shooters who value a featherweight, stabilized walkaround lens over maximum aperture speed.

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Canon Altura Photo 49MM 0.43x HD Wide Angle

61 Video/Cinema Score
Screw-on lens fits camera lenses with a 49mm front filter thread IS
Why we recommend this

Screwing onto 49mm filter threads, this converter adds a 0.43x wide-angle field of view and a detachable macro lens that scores 81.1 for close-ups, using multicoated glass for clarity. Broad compatibility across Canon EF-M, Sony E, and Fujifilm X lenses makes it a versatile, single add-on for multiple systems. It’s best for macro hobbyists and vloggers seeking an affordable way to capture detailed close-ups and wider perspectives without buying dedicated glass.

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Canon RF-S7.8mm F4 STM Dual

53.1 Video/Cinema Score
8mm 16 Canon RF
Why we recommend this

This stereoscopic lens stands out with its 7.8mm f/4 dual-lens design, delivering a 60° human-vision-like field of view for spatial video on APS-C cameras at just 131g. Combined with STM autofocus and a control ring, it provides steady handheld capture without adding bulk, lowering the barrier to Canon’s EOS VR System. It’s best for vloggers and social media creators wanting to capture immersive 3D memories viewable on the Apple Vision Pro or Meta Quest 3.

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Best Lenses under £800 for video production

Best Pick

Canon

80 Video/Cinema Score
35mm f/1.8 Canon RF IS
Why we recommend this

Its 0.5x macro magnification and 5-stop optical stabilization distinguish this 35mm f/1.8 lens, enabling close focus down to 0.17 meters while suppressing shake. The 57g weight and customizable control ring add direct setting changes and exceptional portability for everyday shooting. This lens is best for photographers and videographers needing a single tool for close-up portraits, product details, and stabilized handheld video work.

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Canon EF EF16-35mm F4L IS USM

75.3 Video/Cinema Score
16-35mm 22 Canon EF IS Weather Sealed
Why we recommend this

The constant f/4 aperture and 4-stop Optical Image Stabilizer deliver sharp, consistent results across the 16-35mm focal range. Weather-sealed construction with fluorine coatings and a lightweight 21.7oz body make it rugged yet portable for on-the-go shooting. It's best for landscape and wildlife photographers who value a weather-resistant wide-angle zoom with fast, quiet autofocus.

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Canon RF-S 18-150mm f/3.5-6.3 IS STM

68.2 Video/Cinema Score
18-150mm 40 Canon RF IS
Why we recommend this

An 8.3x zoom range covering 18-150mm in a mere 318g body makes this the most versatile and portable all-in-one lens for Canon APS-C RF cameras. Its 4.5-stop stabilization and STM autofocus enable sharp stills and smooth video, while the 0.59x maximum magnification at the telephoto end provides near-macro close-up capability. This lens is best for casual photographers and travelers who want a single, lightweight solution for everything from wide landscapes to distant portraits without swapping glass.

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Canon EF-S EF-S10-22mm F3.5-4.5 USM

60.7 Video/Cinema Score
10-22mm 22 Canon EF-S IS
Why we recommend this

With an ultra-wide 10-22mm zoom (16-35mm equivalent) and a fast, quiet ring-type USM autofocus, this lens weighs just 385g, making it ideal for travel. Its 3 aspherical elements and 1 Super-UD element deliver sharp, detailed images across the frame, though the f/3.5-4.5 aperture limits low-light performance. Best for landscape and travel photographers seeking a compact, high-optics wide-angle zoom for Canon APS-C bodies.

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Best Lenses under £1,000 for video production

Best Pick

Canon RF RF 24-240mm f/4-6.3 IS USM

61.4 Video/Cinema Score
24-240mm 22-36 Canon RF IS
Why we recommend this

A 24-240mm 10x zoom with 5-stop stabilization and Nano USM autofocus delivers full-frame versatility in a travel-ready 750g package. Smooth, quiet AF handles both photo sequences and professional-looking video focus pulls, while the lockable zoom ring adds handling security across the range. This lens is best for travel photographers and hybrid EOS R shooters who need a single lightweight optic for wide landscapes, portraits, and distant action.

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Best Lenses under £2,000 for video production

Best Pick

Canon L RF 15-35mm F2.8 L IS USM

96.2 Video/Cinema Score
15-35mm f/2.8 Canon RF IS Weather Sealed
Why we recommend this

A constant f/2.8 aperture across the 15-35mm zoom range pairs with 5-stop optical stabilization and weather sealing for reliable handheld shooting in low light. The Air-Sphere coating effectively reduces flare, while Nano USM delivers fast, near-silent autofocus suitable for both stills and video. Best for landscape and documentary photographers who need a durable, fast wide-angle zoom for varied lighting conditions.

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Canon L-series EF 35mm f/1.4L II USM

84.4 Video/Cinema Score
35mm 1.4 Canon EF Weather Sealed
Why we recommend this

The Canon RF 35mm f/1.4 L VCM combines an ultra-fast f/1.4 aperture with a dual focus system (Nano USM + VCM) and 7-stop stabilization, delivering silent, near-breathing-free autofocus. Its hybrid design features a manual iris ring, dual filter options (67mm front + rear gel slot), and weather sealing. Best suited for videographers and still photographers who need a fast, quiet wide-angle prime for mixed shooting environments.

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Canon L IS USM

81.9 Video/Cinema Score
35mm f/4 Canon RF IS Weather Sealed
Why we recommend this

Combining a constant f/4 aperture with 5.5-stop stabilization and a 14mm ultra-wide perspective, this lens delivers sharp, handheld results thanks to three UD and three aspherical elements. Its relatively compact 544g build and weather sealing make it a practical, durable choice for walkaround shooting without sacrificing L-series optical quality. This lens is best for landscape and architectural photographers who need a versatile wide zoom with reliable stabilization for on-location work.

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Canon EF EF 24-70mm f/2.8L II USM

62.7 Video/Cinema Score
24-70mm 22 Canon EF Weather Sealed
Why we recommend this

A constant f/2.8 aperture, USM autofocus, and 5-stop image stabilization make this a reliable zoom for varied lighting, with weather sealing adding durability. Its versatile 24-70mm range earns top marks for landscape (99.6/100) and travel (97.1/100), while the bundle includes practical extras like a filter kit and backpack. Best for landscape and travel photographers who need a rugged, all-purpose standard zoom for full-frame Canon bodies.

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Canon TS-E TS-E 17mm f/4L

36.2 Video/Cinema Score
17mm 22 Canon EF Weather Sealed
Why we recommend this

The 17mm ultra-wide perspective combined with ±12mm shift and ±6.5° tilt offers precise perspective correction and deep focus control, housed in a weather-sealed L-series build. Its floating optical system with four UD elements and Subwavelength Coating delivers consistent sharpness across the frame, aided by a locking tilt-shift mechanism for stable compositions. This manual-focus lens is best for architectural and interior photographers who require exacting management of converging lines and selective focus planes.

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Canon Milvus Milvus ZE

26 Video/Cinema Score
18mm 22 Canon EF
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Premium Lenses for video production

Best Pick

Canon L RF 10-20mm f/4 L IS STM

91.1 Video/Cinema Score
10-20mm f/10 Canon RF IS Weather Sealed
Why we recommend this

A rectilinear 10mm ultra-wide focal length, constant f/4 aperture, and 5-stop image stabilization define this lens for capturing sharp, expansive scenes. Weighing only 570g, its weather-sealed construction and smooth STM autofocus make it equally capable for handheld outdoor video and stills. Best for landscape photographers and videographers who need extreme perspectives for architecture and environmental footage.

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Canon EF EF 100-400mm f/4.5-5.6L IS II USM

55.7 Video/Cinema Score
100-400mm f/100 Canon EF IS Weather Sealed
Why we recommend this

Integrating one fluorite and one Super UD element with Air Sphere Coating, this lens delivers sharp, high-contrast images with minimal aberrations, supported by a 4-stop Image Stabilizer for handheld clarity. A rotating zoom ring with adjustable torque and comprehensive weather sealing with a fluorine coating set it apart for reliable, precise control in tough conditions. It’s best for wildlife and sports photographers who need a rugged, stabilized telephoto zoom for tracking fast-moving subjects from a distance.

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