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IRIX Firefly Firefly 15mm

Its 15mm f/2.4 full-frame prime employs a 15-element, 11-group design with Neutrino coating to suppress flare and ghosting, plus a built-in AE chip for auto metering on Canon EF DSLRs. Weather sealing, a lightweight 599g ABS barrel, and an ergonomic focus ring with a focus lock enable precise, repeatable manual adjustments. This lens fits landscape and architectural photographers who demand flare-resistant optics and dependable manual focus in demanding light.

★★★★☆ 4.0 (60)
Focal length 15mm
Aperture 22
Mount Canon EF
stabilization false
weather sealed true
weight g 599
af type manual focus only
lens type wide-angle
IRIX Firefly Firefly 15mm lens
34 Puntuación global
También disponible en:

Acerca de este Lens

Its 15mm f/2.4 full-frame prime employs a 15-element, 11-group design with Neutrino coating to suppress flare and ghosting, plus a built-in AE chip for auto metering on Canon EF DSLRs. Weather sealing, a lightweight 599g ABS barrel, and an ergonomic focus ring with a focus lock enable precise, repeatable manual adjustments. This lens fits landscape and architectural photographers who demand flare-resistant optics and dependable manual focus in demanding light.

  • Focal length 15mm
  • Max aperture 22
  • Mount Canon EF
  • Weather sealed
  • Weight g 599
  • Af type manual focus only
  • Lens type wide-angle

The 30-Second Version

The Irix Firefly 15mm f/2.4 is a niche manual-focus ultrawide that delivers good macro and optical quality for the price, especially if you snag a deal around $329. However, soft copies, heavy chromatic aberration, and zero AF mean it's not for everyone. Worth it for astro and landscape hobbyists on a budget, but pros should stay away.

Overview

The Irix Firefly 15mm f/2.4 is a manual focus ultra-wide prime built for Canon EF DSLRs. It's got a full-frame image circle, a fast aperture for its class, and weather sealing that's rare at this price. But there's a catch or two. The 15mm focal length gives you a dramatic field of view, and the built-in AE chip means auto metering works without any fuss on Canon bodies. At 599g, it's light enough to toss in a bag, and the focus lock is a nice touch for landscape work. However, it's manual focus only, and the 95mm filter thread means your usual ND kit probably won't fit. You're buying into a niche here, and that niche is budget-conscious shooters who don't mind turning a ring to get sharp results.

What you're really signing up for is value, but with asterisks. Our data shows the lens scores a mediocre 35.2 out of 100 overall, dragged down by weak versatility and bokeh scores. Yet it still has its moments. Macro performance stands out at the 71st percentile, and optical quality lands a solid 67th. The real story, though, is the price. Vendors list this lens anywhere from $329 to an absurd $65,788. Yes, you read that right. If you find it at the low end, it's a steal. At anywhere near the high end, run.

Performance

The lens shines brightest in macro and optical quality for its price. It sits in the 71st percentile for macro, surprising for a wide-angle, so close-up shots have decent detail. Optical performance is solid at 67th percentile, but that's tempered by the manual focus and middling build quality. Where it stumbles is versatility (35th percentile) and bokeh (22nd), which you'd expect from a 15mm f/2.4. The lack of stabilization and the aperture's modest f/2.4 put it behind many competitors, and its user sentiment is a worrying 17th percentile, dragged down by complaints of soft copies and chromatic aberration.

Performance Percentiles

AF 13.4
Bokeh 23.2
Build 60.1
Macro 70
Optical 67.2
Aperture 20.3
User Sentiment 17
Versatility 34.4
Social Proof 57.2
Stabilization 34.1

Pros & Cons

Pros

  • Built-in AE chip enables auto metering on Canon DSLRs. 70th
  • Solid build with weather sealing. 67th
  • Good macro performance for an ultra-wide (71st percentile).
  • Lightweight and compact for a full-frame lens.

Cons

  • Manual focus only, no AF. 13th
  • Copy-to-copy sharpness varies. 17th
  • Heavy chromatic aberration at wide apertures. 20th
  • Bulky 95mm filter thread limits filter options. 23th

The Word on the Street

3.9/5 (1204 reviews)
👍 Many owners rave about the sharpness when shooting stars and the solid build quality.
🤔 Image quality is hit-or-miss with several users noting soft copies and noticeable chromatic aberration.
👎 Several buyers warn of compatibility hiccups with some Canon bodies and flare issues.

Specifications

Full Specifications

Optics

Type wide-angle
Focal Length Min 15
Focal Length Max 15
Elements 15
Groups 11
Coating Neutrino coating

Aperture

Max Aperture 22
Min Aperture 2.4
Constant No
Diaphragm Blades 9

Build

Mount Canon EF
Format full-frame
Weather Sealed Yes
Weight 0.6 kg / 1.3 lbs
Filter Thread 95

AF & Stabilization

AF Type manual focus only
Stabilization No

Focus

Min Focus Distance 280

Value & Pricing

Prices for this lens are all over the map, from an absurd $65,788 at some sellers to as low as $329 at Amazon. At the low end, it's a steal for a full-frame ultrawide prime with weather sealing. But if you pay more than $400, the value proposition crumbles compared to newer APS-C autofocus alternatives. The sweet spot is definitely that $329 mark, where you get a lot of glass for not much cash.

vs Competition

Stacked against the Sigma 10-18mm f/2.8 DC DN or Viltrox 9mm f/2.8, the Irix loses on autofocus and size but offers full-frame coverage no crop sensor zoom can match. The Canons and Nikons listed are zoom lenses with slower apertures, so they're more versatile but can't touch the Irix's wide f/2.4 prime speed. If you're on a Canon EF DSLR and need an ultra-wide prime on a tight budget, this is a unique option that the big brands don't offer.

Spec IRIX Firefly Firefly 15mm Sigma Contemporary 16-300mm F3.5-6.7 DC OS Canon L RF 15-35mm F2.8 L IS USM Viltrox AF 56mm f/1.7 Meike Neo Series MK-5514STM-Z Panasonic LUMIX S S-R28200
Focal Length 15mm 16-300mm 15-35mm 56mm 55mm 28-200mm
Max Aperture 22 f/1.4 f/2.8 f/1.7 f/1.4 f/4
Mount Canon EF Sony E Canon RF Fujifilm X Nikon Z L-Mount
Stabilization false true true true true true
Weather Sealed true true true false false true
Weight (g) 599 1089 840 171 280 413
AF Type manual focus only HLA Nano USM STM STM Autofocus
Lens Type wide-angle zoom zoom prime prime macro
Compare Compare Compare Compare Compare
Product AfBokehBuildMacroOpticalApertureUser SentimentVersatilitySocial ProofStabilization
IRIX Firefly Firefly 15mm 13.423.260.17067.220.31734.457.234.1
Sigma Contemporary 16-300mm F3.5-6.7 DC OS Compare 53.294.233.884.498.994.4099.789.699.1
Canon L RF 15-35mm F2.8 L IS USM Compare 94.179.443.87090.476.980.376.789.696.5
Viltrox AF 56mm f/1.7 Compare 85.991.785.694.169.89163.834.489.679.5
Meike Neo Series MK-5514STM-Z Compare 85.994.273.194.451.194.480.334.489.679.5
Panasonic LUMIX S S-R28200 Compare 53.269.373.887.491.462.5095.989.699.5

Common Questions

Q: Does this lens have autofocus?

No, it's fully manual focus only. You'll need to rely on the focus ring and your camera's focus confirm dot if it has one.

Q: Is it compatible with my Canon DSLR?

Yes, the Canon EF mount and built-in AE chip allow auto metering on most EOS bodies. Some specific models have reported issues, so check for compatibility before buying.

Q: Can I use this for astrophotography?

Absolutely, its fast f/2.4 aperture and 15mm focal length make it a popular choice for starscapes. But be aware that copy variation means some examples produce soft stars, so test your unit right away.

Who Should Skip This

Skip this lens if you need autofocus or plan to shoot video. Also, if you're a pixel peeper who demands tack-sharp edges, the copy variation will frustrate you. Professionals should look for a more consistent and reliable ultrawide.

Verdict

Buy the Irix Firefly 15mm if you're a Canon DSLR shooter who wants a dirt-cheap ultra-wide prime for astrophotography or landscapes and doesn't mind manual focus. It's also a solid macro option for wide-angle close-ups. But if video or autofocus matter to you, move on.

Usage Scores

Macro (52.1)Overall (34)Budget (32.1)Street (29.4)Travel (31.7)Portrait (29.9)Landscape (46.1)Professional (35.9)Video Cinema (27.1)Wildlife Sports (30.2)

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